The Nonesuch Guide To Electronic Music cover

The Nonesuch Guide To Electronic Music by Beaver & Krause

1968 · Electronic · Non-Music · Modern Classical · Experimental · Nonesuch HC-73018

  1. A1 I. Peace Three 3:08
  2. II. Signal Generators
  3. A. Sine Waveform
  4. A2a 1. Slow-Motion Audible Example 0:05
  5. A2b 2. Composition 0:50
  6. A2c 3. Harmonic Synthesis 0:33
  7. A2d 4. Non-Harmonic Synthesis 0:37
  8. B. Sawtooth Waveform
  9. A3a 1. Slow-Motion (Negative- And Positive-Going) 0:12
  10. A3b 2. Composition 0:34
  11. C. Rectangular Waveform
  12. A4a 1. Slow-Motion Audible Example (1/8-1/2) 0:28
  13. A4b 2. Composition (Using 1/8, 1/7, 1/3, 1/2) 0:35
  14. D. Triangular Waveform
  15. A5a 1. Slow-Motion Audible Example 0:05
  16. A5b 2. Composition 0:20
  17. -
  18. A6 E. White Sound Composition 0:13
  19. III. Control Generators
  20. A7a A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion 0:08
  21. A7b B. Sequential Voltage Sources. Composition 1:55
  22. IV. Frequency Modulation
  23. A. Keyboard Control
  24. B1a 1. 12-Tone 0:32
  25. B1b 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves) 0:40
  26. B1c 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave) 0:31
  27. B1d 4. Portamento 0:23
  28. -
  29. B2 B. Ribbon Control 0:30
  30. C. Periodic
  31. B3a 1. Vibrato Ⓢ (Speed Increases As Pitch rises) 0:28
  32. B3b 2. Sine-Higher Frequency 0:27
  33. B3c 3. Sawtooth-Swept 0:38
  34. B3d 4. Rectangular 1/2-Swept L2 0:32
  35. B3e 5. Triangular-Swept 0:31
  36. D. Periodics Combined
  37. B4a 1. 3 Square Waves At Different Frequencies 0:28
  38. B4b 2. 3 Triangular Waves At Different Frequencies 0:37
  39. B4c 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies 0:46
  40. -
  41. B5 E. White Sound 0:12
  42. F. Transient
  43. B6a 1. Up An Octave, Back To Pitch 0:17
  44. B6b 2. Up A 3rd, Back To Pitch 0:07
  45. B6c 3. Down An Octave, Back To Pitch 0:09
  46. B6d 4. Down A 3rd, Back To Pitch 0:13
  47. V. Amplitude Modulation
  48. C1 A. Keyboard 0:13
  49. C2 B. Ribbon Controller 0:10
  50. C. Periodic
  51. C3a 1. Tremolo 0:25
  52. C3b 2. Sine-Higher Frequencies (S Sweeping S) 0:47
  53. C3c 3. Sawtooth (Negative- And Positive-Going Swept) 1:20
  54. C3d 4. Rectangular-L2 Swept 0:28
  55. C3e 5. Triangular-Swept 0:50
  56. D. Periodics Combined
  57. C4a 1. 4 Square 0:44
  58. C4b 2. 3 Triangular 0:23
  59. C4c 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ 0:23
  60. -
  61. C5 E. White Sound 0:38
  62. F. Transient
  63. C6a 1. Slow 0:08
  64. C6b 2. With Rising Pitch 0:15
  65. C6c 3. ∧∧∧∧∧ 0:14
  66. VI. Ring Modulation
  67. A. Sine Waves
  68. C7a 1. Series Of Sub-Audible Constants 2:00
  69. C7b 2. Tune In Parallel 0:40
  70. C7c 3. Tuned In Opposite Direction 0:30
  71. -
  72. C8 B. Sawtooth 0:33
  73. C9 C. Rectangular L2 0:39
  74. VII. Filtering
  75. D1 A. White Sound - With Fixed Filters Selected 3rd Octave 0:25
  76. B. White-Sound-Tuned Filters
  77. D2a 1. Broad 0:43
  78. D2b 2. Sharp 0:25
  79. -
  80. D3 C. Low-Frequency Sawtooth-Tuning Through Harmonics 1:05
  81. D4 D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics 0:50
  82. D5 E. Swept With Ribbon Controller 0:40
  83. F. Periodic
  84. D6a 1. Sine-Timbre Vibrato Effect 0:25
  85. D6b 2. Sine-Variable Rate And Depth 0:36
  86. D6c 3. Sawtooth (Descending And Ascending) 0:50
  87. D6d 4. Rectangular
  88. G. Transient (Sawtooth With Transient Controlled Filter)
  89. D7a 1. ----------------- 0:12
  90. D7b 2. ----------------- 0:10
  91. D7c 3. ------------------ 0:09
  92. D7d 4. ------------------ 0:08
  93. VIII. Tape Delay
  94. D8 A. Single Repeat 0:13
  95. D9 B. Multiple Repeat 2:55
  96. -
  97. D10 IX. Peace Three (Recap) 3:08

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